When setting up in business, there are a number of potentially unforeseen costs that can crop up. These will obviously vary depending on the nature of the business involved and the work that will be undertaken.
However, if you are setting up a photography business you will almost certainly need some sort of business insurance.
Photographer Insurance
Business insurance comes in many different forms; again, the most suitable type for you will depend on your individual business model. However, when running a photography business there are a number of elements that should be considered from the outset.
In the first instance, basic photographer’s insurance is a must. You will need to at least insure your equipment; if this is lost, stolen or damaged, not only will you lose the value of the equipment itself, but your business will no longer be able to function. As such, equipment insurance is something that you must be prepared to pay for.
There are a number of companies offering specialist photographer insurance; reputable commercial insurers will either provide standard packages that will be suitable, or they will be able to tailor insurance to suit you.
My Other Blogs And Sites...
http://hollyjow.blogspot.com/ - Reflective Blog
http://holly-jowhitehall.blogspot.com/ - My National Diploma Blog
Wednesday, 21 March 2012
Wednesday, 14 March 2012
Tuesday, 13 March 2012
Wednesday, 8 February 2012
Year One - Professional and Contextual Studies
A Portfolio (professional file) weighted at 50%
A Portfolio (professional file) weighted at 50%
In response to the visit to the photography studio I did ask year one Foundation Degree students to write a 'Portfolio' based on all the information gleaned and images that you may of taken whilst there along with images of their work copied from their website..I want anyone who hasn't written a professional portfolio to do so.(as covered in a previous blog entry). Look at how the course marking is 'weighted' in accordance with the different learning outcomes.
In the context of this I also want you to put together a 'Business Plan' (or if you like a portfolio about you and how you see yourself operating as a photographer, what clients are you aiming to work with,what services you would like to offer, and for how much.
Location is key to providing any service and this also needs to be considered, where and how you could operate a business from a certain location maybe opposed to another, pros and cons, etc.. I will expect you for formulate a concise business plan with extended information regarding brand and identity and your potential 'position' within the current industry
Remember Assessment One is about a portfolio of information relating to legislation and industry guidelines, with a commentary (approx 1,000 words) describing its impact on the sector (50%) Learning Outcome 1.
Within this you should consider the following;
Health and Safety
Criminal Records Clearance
Working with children & vulnerable people
Copyright
Data Protection
Permissions
Equal Ops
Public Liability
Intellectual Property Rights
Remember Assessment One is about a portfolio of information relating to legislation and industry guidelines, with a commentary (approx 1,000 words) describing its impact on the sector (50%) Learning Outcome 1.
Within this you should consider the following;
Health and Safety
Criminal Records Clearance
Working with children & vulnerable people
Copyright
Data Protection
Permissions
Equal Ops
Public Liability
Intellectual Property Rights
It would also be important for you to consider potential turnover per month and year based upon some sensible projects from the services that you will provide. For example are you going to be doing;
Weddings, Portraits, Advertising, Editorial, PR, Commercial, Architectural, Fashion, etc..etc.. For each area I would expect to see data concerning all potential overheads, Taxation, VAT, Rent, Rates, Utilities bills, Staff, Kit and Equipment, Studio overheads, along with projected Salary and the potential diversification into different areas of photography.
These are all part of the requirement of writing a thorough and professional portfolio of information in the context of how you yourself can operate viably as a photographer within this competitive industry.
Weddings, Portraits, Advertising, Editorial, PR, Commercial, Architectural, Fashion, etc..etc.. For each area I would expect to see data concerning all potential overheads, Taxation, VAT, Rent, Rates, Utilities bills, Staff, Kit and Equipment, Studio overheads, along with projected Salary and the potential diversification into different areas of photography.
These are all part of the requirement of writing a thorough and professional portfolio of information in the context of how you yourself can operate viably as a photographer within this competitive industry.
You should all be working on projects that involve clients of some description in respect to the 'Client Response' brief that you all should be continuing with. Finding and working with clients, negotiating with them and generating successful images should be happening. If this isn't the case and you are struggling to find clients in an area of photography, then you must reflect upon how much effort have you put into finding them.
Photography is a tough industry as I am sure you are all aware, but you must generate that momentum now in a very clear and concise manner because I know in a year or two all of you will be looking to work independently or within a small team or company.
Finding clients and working with them will be down to you on your own very soon so this practice is vital in order to get that vital experience now.
The images that you are taking should be practice shoots that will build your portfolio in an area of your specialism, ie if you want to be a fashion photographer you should be shooting test images all the time in order to be ready when that 'phone call' comes. Never stand still and wait for work to come and drop in your lap as it wont.
Assessment Two: A Case Study of the process of organising an event or activity, showing a range of communication methods utilised, to be presented in a format reflecting the nature of the event or activity (50%) Learning Outcomes 2 and 3).
This will be covered later in the year often in the format of an exhibition of your work.
Photography is a tough industry as I am sure you are all aware, but you must generate that momentum now in a very clear and concise manner because I know in a year or two all of you will be looking to work independently or within a small team or company.
Finding clients and working with them will be down to you on your own very soon so this practice is vital in order to get that vital experience now.
The images that you are taking should be practice shoots that will build your portfolio in an area of your specialism, ie if you want to be a fashion photographer you should be shooting test images all the time in order to be ready when that 'phone call' comes. Never stand still and wait for work to come and drop in your lap as it wont.
Assessment Two: A Case Study of the process of organising an event or activity, showing a range of communication methods utilised, to be presented in a format reflecting the nature of the event or activity (50%) Learning Outcomes 2 and 3).
This will be covered later in the year often in the format of an exhibition of your work.
----------------------------------
Since I can remember i've always wanted to be my own boss - self employed. I've not really though why I feel so strong about it but its probable due to my mum and dad being such hard workers and seeing my Grandad run his own business as i've grown up has inspired me.
I aim to start up my own studio taking photos of anyone that wanted there photos taking. Also I would want to be available to shoot weddings too. I would prefer to work this way because I could start of by living upstairs of the studio to save on costs while it go started up. I would love to move to London and work for someone like Rankin but im not very brave to move out there and take the leap! I dont adapt to change well and I would like to stay close to home, well thats how I feel this moment in time. My ambitions could drasically change in the next few years...
I aim to start up my own studio taking photos of anyone that wanted there photos taking. Also I would want to be available to shoot weddings too. I would prefer to work this way because I could start of by living upstairs of the studio to save on costs while it go started up. I would love to move to London and work for someone like Rankin but im not very brave to move out there and take the leap! I dont adapt to change well and I would like to stay close to home, well thats how I feel this moment in time. My ambitions could drasically change in the next few years...
When starting a business of any type, whether photographic or otherwise, it is vitally important to be clear of the objectives, and aware of the potential problems. To this end, writing a business plan should always be a priority.
An efficient business plan covers a number of important issues. Firsty when I would start my own business I would have to consider and think about
Health and Saftey...
Tripping caused by camera stands, props, tri-pods. Ensure all the lights and fittings are secure on the stands and that there is sufficient space for everyone to move around without tripping/collision hazard.
Electricity - most cables should we wired upwards so that they do not cause risk of tripping.
Light is also something that should be condidered.
Flashlight is very strong and can hurt peoples eyes, everyone using the studio ahould avoid unnecessary exposure to flash photography.Covers need to be removed before switching on the flash lamps and fittings should be attached prior to the lamos heating up and starting a fire!!
Heat! Flashlights become very hot and could cause burns, handle when cooled down!
Darkness, The low light in the studio presents a hazard in itself. Various props, wires, camera stands are less evident in the dark. When using the studio users should not rely on their usual senses. Extra attention needs to be paid, taking an extra look around before making movements, taking notice of where things are.
When closing down never lay cables or anything else over hot lamps too. Turn the lights down to there lowest seeting and then discharging the power before switching off.
At the end of a session in the studio all the equipment should be safely removed to edges of the studio and never leave the studio unattended.
Subscribe to:
Comments (Atom)